646f9e108c In times of revolution in Mexico, the ignorant Vasco is promoted by the corrupt General Mongo to lead his men in the invasion to San Bernardino. Meanwhile the arms trader Yolaf "Swedish" Peterson arrives in the village to deal with Mongo; however the money to buy the weapons is locked in a bank safe. The only man that knows the combination to open the safe that was not murdered by Mongo's men is the pacifist Professor Xantos that is prisoner in Fort Yuma in the United States. Swedish offers to release Xantos but the suspicious Mongo asks Vasco to go with Yolaf. The twosome is chased by the followers of Xantos led by the beautiful Lola that want to convince the duo to join the revolution; and by the mercenary John that lost one of his hands in a betrayal of Yolaf to save his life and uses his smart hawk Marsha to get Xantos to deal with Mongo.
A Swedish arms dealer and a Mexican peon team up to rescue the intellectual leader of the Revolutionary cause, while taking part in numerous misadventures along the way.
I believe that every film should be judged according to it's nature. For what this film is, it's almost excellent. I can still remember the first time I saw ita child in a summer time cinema in my town and not only it left a mark in my subconsciousness about the kind of films I was watching at that time, but the music never left my memory and easily comes back without me ask for it. And I don't mind at all. But enough about me!!! Like so many other Italian western films, it actually is… a political film. Yes! And a very obvious one. The Mexican revolutionpictured here, has little in common with the real stuff. Also the basis of the Mexican food is corn! But that's not important. What matters is the hope that so many Europeans had in that time for some kind of revolution here also. So, Mexico is just an excuse.<br/><br/>The movie plays with the sentiments of the viewer, who slowly finds that he wants to be a part of it, even if he is a money loving European like Yolaf Peterson. In the (incredible) end, when everything about this wonderful, crazy song you hear all the time makes sense, you are so captivated that you would never forgive Yolaf for making any other choice than the one that you also would have made given the chance. When can I see this film again?
Vamos a Matar Companeros! is an authentic, made in Italy, Spaghetti Western film classic and is a must see movie for anyone who wants to discover the very best of the Spaghetti Western film genre. This Western-Comedy film was directed by Sergio Corbucci, the number #2 Italian director of all time for Spaghetti Westerns, after of course Sergio Leone, for the entire Spaghetti Western genre, which is saying a lot because there were hundreds of films in that genre alone! This film is just plain fun and entertaining to watch! All the actors are charismatic, comical and professional. The all star cast in the film are Jack Palance, Franco Nero and Thomas Milian. The story is basically about the Mexican Revolution of 1910 where a mercenary (Nero) and rebels, lead by rebel leader (Milian), must rescue a idealist professor to lead the revolution who is held hostage in Texas. This film was made during the height of student protests to the Vietnam War in the late 1960's and early 1970's which may explain the political theme. There are many good scenes, too many to list here, but the best scenes and most surreal, in my opinion, are the ones with the pet falcon and the strange one wooden-handed and marijuana smoking villain (Palance). <br/><br/>The cinematography is beautifully filmed by cinematographer Alejandro Ulloa who also filmed other excellent Spaghetti Westerns. The music in the film is by the maestro of Spaghetti Western music and film music in general, Italian composer Ennio Morricone. Companeros includes a theme song and the beautiful classic acoustic and twangy electric guitar riffs invented by Morricone.


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